This record starts out with a bang and is almost as good as Junior Citizen. A couple of the songs near the end aren’t quite up to the level as the rest of the album (something about “King of the Hill” just annoys me), but overall another great record. The CD contains a bunch of interactive CDROM content that is now obsolete on a modern PC. Thank you Macromedia!
Originally when I reviewed this album I wrote the following:
Okay, so I’m like Mr. Garage guy right? Well, not exactly. This is a band from Champaign-Urbana Illinois that writes wall-o-soundish guitar rock with quirky, stop-start timing; all while keeping a pop edge to their songs. I’m not quite sure if I like this album as much as Junior Citizen but this disc surely has its moments. They using a bit more electronics and studio gimickry here and it seems to fit nicely with their sound. The CD is worth it for the cool mutimedia crap they included. Makes me want to become even more of a techno-geek. The Poster Children also call themselves Salaryman and play analog synth music on occasion.
This is one of the best games you can buy for the Wii. There are nearly a dozen classic Williams pinball tables emulated in this collection (apparently other platforms offer even more tables) and just about every one in the game is great. My favorites are Taxi, Funhouse and Whirlwind. Jive Time and Fire Power are the weak spots, but even those two have their charm. The physics of the machines are spot on and the controls are flawless: you can even nudge the tables buy shaking the Wiimotes… perfect. Being able to play these classics without having to worry about losing quarters gives you the chance to learn the rule-sets of each table and actually become a skilled player. Playing pinball as a kid I never realized how deep the mechanics of a well-designed table actually were. Most of the time I would just resort to spamming the flippers and hope to hit something. Most of the time the balls would just drain down the sides within a few seconds. Now I know better. Pinball Hall of Fame will step you through the rules of each table in a nice fly-by tutorial. As I am writing this, I just got around 23 million on Whirlwind! My only complaint would be is the game’s lack of wide screen support. I want a Williams collection Vol. 2, please!
I like Andrew Klaven. His Klaven on the Culture videos are good natured and entertaining little bits of political satire that I will always watch regardless of the topic. Empire of Lies is a thriller which attempts to take on political correctness in our post 9/11 world. Klaven’s approach to the problem is to cast against type and make the protagonist an un-ironic born again Christian (with a somewhat unholy past). He soon finds himself confronting his past and getting caught up with a bunch of islamic terrorists. The book can be pretty jarring in its political incorrectness, but that’s the point: let’s face the facts and call out these “Islamofascists” for what they are. All this probing cultural analysis is fine and dandy, but the book falls a little flat in the thriller category. Many of the plot points just feel too ridiculous to me, and not in a hyperbolic/satirical way (That’s the kind of thing South Park does much better). It feels like that Mitchell and Webb skit where a couple ill-informed of British slackers who have never been to America, let alone in an American courtroom, write an American courtroom drama.
This book analyzes America’s proclivity towards an ever expansive and powerful executive branch—admittedly not the most exciting read. As one might expect, there’s plenty in here documenting the post 9/11 Bush White House’s power grabs. That’s fine, but I was expecting it to delve a little more deeply into public expectations of our Presidents. Do you really think the guy sitting in the Oval Office can create jobs? Change gas prices? End our social ills? I don’t think so, but since the Progressive era, each subsequent executive has grabbed more and more power in the name of fixing these things and Congress has more or less stood by while their powers were stripped. Despite the Bush-centric core of the book, it does make it clear that that administration’s actions were in no way atypical. The foundation was set with T. Roosevelt and kicked into high gear with Wilson and FDR. I now have a new respect for Calvin Coolidge.
This movie is part of a DVD double feature with the amazing Hercules. See my review of that film for my take on its awesomeness. The sequel seems like it is just as low-budget and cheesy-good as the first but it does not entertain the way Hercules does. There is a heavy reliance on re-purposed assets, and boring hand-drawn animation in lieu of practical effects. It’s like bad CGI from before when there was CGI. There’s no poorly executed grand cinematic vision here, just poor execution without the ambition or soul.
Sure there are a few laughs, but, for the most part, Greenberg is a drifting, plotless character study of a really unlikable guy. The title character is played by Ben Stiller. Stiller for me, like Robin Williams, is always difficult to accept in non-comedic roles (Oh my god, Mork was the real killer!). I was able to look beyond the questionable casting because the film comes across as a mild indictment of hipsterism and self centered slackers.
The first Rec was both a very good as “zombie” movie and for being a “found footage” film. You never thought that these people under duress were silly for continuing to film themselves being attacked and killed. Rec 2 also does a good job explaining the cameras with Aliens style military helmet cams. In a pretty cool way, the film picks up literally right after the events of the first movie. Much of the suspense and tension is dependent on you having seen the first film and knowing what is lurking in that penthouse apartment. However, the film does kinda fall apart about halfway through when you are introduced to a group of idiot teenagers, but by then I was hooked and just held my nose just so I could reach the finale.
Book two in this excellent series is just about as good as the first. The story picks up right where we left off last time and, if I had any sort of complaint, it is that it is more or less exactly the same as The Name of the Wind for the first third. But this is necessary to keep the plot moving forward. The story then makes an abrupt change and you are introduced to a whole new batch of interesting characters and places. Again the writing is excellent and keeps you turning the pages and wanting more.
This is Poster Children at their very best. After pretty much defining the drone-tastic Champaign-Urbana style of the early 90’s, they began to adopt a new wave aesthetic (They were also recording as all-analog synthesizer band Salaryman around this time too). There is just an overall feeling of fun and experimentation in every every track. Heck, they wrote a song about David Hasselhoff (“He’s My Star”).
