Retro-Computing

Hexen was another mid-nineties FPS that, I swear, I played the demo of several times but never played the full game. I only seemed to remember that first level with its stained glass windows and melee combat. It takes quite some time before you get a ranged weapon and that’s probably why I never felt the incentive to continue much farther than the initial levels. You need to give this one some time before it starts to click.

The level design is pretty great. Each section of the game is organized around a hub world. You can then move between the various sub levels in search of keys, switches, etc. that open up other sections of the hub. In some cases this involves revisiting levels over and over. This can be a pain in the early stages of the game when I was expecting run-and-gun Doom-style gameplay. Eventually, I got in the groove (still needed a walkthrough here and there).

The major ding against the game is the lack of variety. You only have a total of four weapons and it seems like you are fighting the same monsters over and over. The monsters will respawn so there is no incentive to kill ’em all. If you can, run past and pull that switch! Overall, I liked it and it seemed to hold up rather well (using gzDoom to run the game).

Martian Dreams is built on the same game engine as Ultima VI. Much like that game, it is much less of an RPG and more of an adventure game in which you are wandering through the world, talking to NPCs, and combining objects to solve puzzles. You’re not really building up and customizing your character here. Sure there’s combat and leveling up, but it doesn’t really feel like it matters much.

The most important part of this game is the story and the world it’s built around. Martian Dreams takes place a fictionalized the late nineteenth century setting in which space flight is a reality. Dozens of historical luminaries from the era have all been accidentally sent to Mars and it’s the player’s job to find them all and get them back home. Along the way the real-life talents of the characters will come in to play: George Washington Carver knows botany, Louis Comfort Tiffany know glass making, and Sarah Bernhardt knows, um, stage make-up. The only human villains are the evil monk Rasputin and the anarchist Emma Goldman.

You will soon find out that Mars is not completely devoid of life. The landscape is dotted with the ruins of an ancient race of plant beings. It is all very imaginative and unlike any game that is being produced these days. The game has the feel of a classic Jules Verne novel. I think a modern developer would have pushed to make it as steampunk as possible. Anything to get the cretins cos-playing at some dumb-ass convention.

That isn’t to say that this game couldn’t use some modern updates. There is no way to track your quests other than “good” old-fashioned note taking. As with Ultima VI it pays to play the game in a window and have a text editor open to the side where you write everything down. Every little detail is important. A couple of events won’t trigger unless you type the exact word into a dialogue. If GOG.com was smart, they’d implement an in-game overlay note taking/map making interface for these classic games.

You also have to act like a crazy cat-lady hoarder with every object you pick up. If you lose that weed-sprayer, there’s no way to beat the game. I had a central dumping point for every object I decided to drop. Who knows if you’re going to need martian dirt money or chewing tobacco later on.

I only have a couple of major quibbles. First, the world map is not very interesting. Lots and lots of red dirt and hills. You’ll be doing lots of walking all over that featureless map. Second, combat is not very fun or important to the story. Fights just get in the way when you are trying to run hundreds of miles across the dirt plains. The weapons are all just as good as the kitchen knife you find early on. Guns just weigh you down and the final battle doesn’t even let you take the weapons you’ve collected in to battle. That said, if you are patient, Martian Dreams is a unique and refreshing RPG adventure.

This game is part of a Tomb Raider three pack at GOG.com. I tried to play Tomb Raider 1, but I had already played the vastly superior remake, and I felt no need to revisit the same game but with bad controls and visuals. I would like to think that the second game has some technical improvements on the first, but it’s still clunky as hell.

Lara’s movements are slow and take a lot of getting used to. The graphics are as primitive as one might expect, but the animations pretty smooth. Almost too smooth as I was constantly waiting for one movement to end before initiating a jump or drawing out my guns. The thing that really dates this game is the sprawling level design. Completing a section starts to become tedious pretty fast as you are backtracking constantly and always getting lost amidst the repetitive textures and shapes.

Still, the core of Tomb Raider game play is still there. There are plenty of genuinely interesting platforming challenges, especially if your are on the lookout for secret areas. The final few areas were the best part of the game. The underwater areas were the worst.

Time to break out that pad of graph paper again and start charting the depths of nerd-dom. Eye of the Beholder II is not a drastic departure from the click-frenzy gameplay of the first game. It does do a much better job at injecting story elements into the experience via wonderfully rendered cut scenes:

There was a point fairly early in the game where I was being attacked by endless hordes of skeleton warriors. I almost gave up, until I realized that resting the party was causing them to keep respawning. Once past that bottleneck, the game progressed at a nice pace.

The whole idea of resting to heal in Dungeons and Dragons games seems to break the experience a little. My party will take some damage, step back a few squares, then sleep for 50 hours with the monsters just waiting around the corner.

In any event, I managed to finish the game with a little bit of help from the Internet. I have the hand-drawn maps and this screenshot to prove it:

As with most of the great shareware titles of the 90s, I played the free episode of Wolfenstein 3D a gazillion times but never bothered to buy the complete package. Once again with thanks to GOG.com I have been able to finally complete in its entirety. This is the progenitor of first-person shooters and the basic game mechanics are still pretty solid. Its main problem is that of repetitiveness. There are only four kinds of enemies to fight. That isn’t including the bosses at the end of every episode which all have a unique sprite and some even have an elaborate death sequence:

But even those bosses all kinda fight in the same manner.

Levels are built on a grid of right angles so that most can be navigated by simply always going to the right. There are no realistic shadows or lighting. The overall effect is that of being in a sterile, strip-mall dentist’s office. Playing this again really made me appreciate the giant step forward that Doom was. Despite these complaints, blasting away Nazi’s is still fun.

As you can probably see in my screen grabs, I was using a mod that gave me a minimap and also, more importantly, mapped the controls to the modern WASD layout. The map does break the game a little in that it eliminates the need to hunting for secrets. Having to push every wall randomly was never really a great design choice anyways.