For the past half-year or so I have been participating in the PRF Monthly Tribute series where various artists and friends cover a different band each month. This month I did a cover of Fleetwood Mac’s “Big Love.” I thought there were not enough references to Zardoz in the Fleetwood Mac oeuvre, so I fixed that.
Required reading for anyone who is sick of the political name calling and soft bigotry that permeates every single political post on social media. Written in an entertaining and adequately humble style, The Righteous Mind provides a well-researched, scientific answer to the question, “Why can’t we all just get along?”
Unlike most non-fiction books these days, which all seem to have a short essay’s worth content that’s then spread over twelve repetitive chapters, Haidt carefully builds his thesis bit by bit. It’s not until the final chapter that he finally gets down to the nitty gritty of Democrats vs. Republicans. The book starts by demonstrating that we are not purely rational in our decision making: intuition steers us and it’s only post-hoc rationalization that makes us think we have arrived at a reasoned decision. Then it goes on to define the moral “taste buds” upon which we build our moral frameworks. Liberals are very sensitive to care/harm while mostly ignoring other receptors like loyalty/betrayal and sanctity/degradation. Lastly, we are shown that humans are both individualistic and groupish. Given the right circumstances we trigger our hive switch and work (and evolve) as a groups. Finally, it is all tied together to show how understanding these principles might lead to more civil discourse and a better understanding of those with whom we disagree.
It’s been quite some time since I picked up my Nintendo DS. I have been hacking away at Picross 3D for years now, and I finally decided to buckle down and finish the dang thing before I go completely farsighted in my old age. Turns out, despite my procrastination, this is one of the best casual games on the DS.
The original, 2D Picross was for the SNES and there have since been dozens of themed variations on various platforms including an excellent DS version. At their core these are deduction and logic puzzles with apt comparisons to Sudoku. You are given a grid with numbers running down two sides. The numbers are clues as to the amount of squares you should fill in in each row and column. A number 10 on a 10 x 10 grid is easy: fill in all 10 squares in that row. It starts to get tricky when you are given multiple numbers with lower values. That’s when your brain starts to hurt as you figure out every possible combination of squares that might get filled in and make the ones you know for sure are filled no matter the arrangement.
In Picross 3D, one would think that the added third-dimension would make your head explode, but actually the puzzles are less difficult. The mechanics are a little different. You are now removing blocks based on the numbers and you can only have a single number per row. You know there are multiple sets of blocks in a row if that number is circled or boxed. Solving the puzzles is a matter of meticulously slicing through the object and working on each layer one at a time. It’s very zen and, for the most part, offers just enough challenge so that I was never frustrated but always having to think. It’s not until the hard levels 9 and 10 that things start to get real difficult. Even still, the difficulty there is simply completing the puzzle within the time limit.
As you break through the blocks a 3D shape starts to emerge. This is the closest to chiseling a sculpture that you will ever experience in a video game (well, not including Minecraft). Successfully completing a shape triggers a short, humorous animation and puts the object into a category like “Fun in the Sun” or “Ever Stronger.” If I had one complaint it’s that, having finished the game with 100% perfect ratings, there wasn’t much fanfare and game’s end. I need mindless digital rewards for my time-wasting efforts!
Stephen Chow could not save this tone deaf action/comedy. Made in the late eighties, there are maybe two or three genuinely funny moments in the movie. The rest barely rises to the comedic heights of an episode of Suite Life of Zack and Cody. Mix with that action that is way too violent for the grade school tone and a squirmy love interest plot line involving a teacher and student. It’s hard to believe Chow amounted anything after this.
This was my least favorite of all the Tarantino films I’ve watched (I still haven’t seen Inglorious Basterds). Even Death Proof, which also had shallow characterization and a paper thin plot, managed to entertain me a bit more with its breathless action. But, in the end, I think I enjoyed The Hateful Eight more than not. The music is great and there are plenty of clever moments. I think it was just a general lack of character development and maybe just a bit too much filler that kept this from being great.
I enjoyed his fantasy series, so I thought I’d try out Brown’s crime thriller series. This is the story of an ex-military/ex-con who gets caught up in a kidnapping plot when all he wants to do is make good with his life. The book reads like an episodic television series without much deep characterization but lots of action. I appreciated Sam the Mormon, bible-loving sidekick who, for a change, is not depicted as a zealot freak or a dimwit.
It’s been quite some time since I’ve played through a game on the Wii. Pandora’s Tower is certainly one of the best looking games on the platform. It follows the standard console action/adventure game formula: a series of areas to explore, a new ability added in each area, and a boss at the end of the section that requires mastery of that ability to be defeated. Wrapped around this is a sappy story of the girl who has been cursed and must now be fed monster guts in order to cure herself. I’m really not one for the Japanese anime-style of story telling, but it wasn’t as horrible and convoluted as the genre can be. I especially liked the scenes of Elena gobbling up gore… well, at least I did the first dozen times I watched that cut scene. The 39th time… not so much.
The unique game play mechanic is your chain weapon. It’s a little bit like Link’s hookshot in that you can use it to grapple around the environments, but its primary function is to bind up monsters and rip them apart. As you do so, you collect more and more chunks of beast-flesh to feed to Elena. The weapon is well-suited for the Wii-mote control scheme: point at a target then jerk the controller back to extract meat and cause damage. The longer you pull against the chain before jerking, the more damage you cause. Ahem, phrasing?
One the key threads of the game’s narrative is your relationship with Elena. There’s a meter running up the side of the screen which gauges her affinity towards you. The way to build your relationship is to keep giving her gifts, chatting with her, and, most importantly, not letting her become a cursed monster by dawdling too long in each castle. I’m sure otaku anime fanboys will love this, but I couldn’t be bothered with what essentially is a dating sim. Because of this, I got a mediocre ending despite all my work ridding the world of end bosses. Now, I should feel challenged to play through again and get the best ending, right? Hell, no! That’s what YouTube is for.
In my limited listening experience, all Bernard Hermann scores sound pretty much the same. I got this mostly based on Laika and the Cosmonauts’ cover of “Scene D’Amour.” Along with that track, there are a few exciting moments on this CD, but for the most part this is forgettable and samey.
Long before he directed Journey to the West, Stephen Chow starred in this version of the Monkey King’s story. The story is divided into two movies: “Pandora’s Box” and “Cinderlla.” I enjoyed the first part which felt like a lighthearted Chow film with fun characters, slapstick humor and a simple plot. But the second part is a confusing mess of time travel and body swapping. By the end, I literally had no idea what was going on. Chow’s The Monkey King is just a Cantonese attempt at recreating Jim Carrey’s annoying character from The Mask.
Okay, first things first. Machinarium is a beautiful game with excellent art direction, sound and music. However, something about this point-and-click adventure just didn’t… er… click for me. It could be the fact that the game erased my save files halfway through my first attempt. I didn’t pick it up again for at least a month after that. But I think this is just a little too puzzley for my tastes. At times I really didn’t have any motivation other than there was a guy who had an object that would obviously be useful somewhere. I can tolerate that in a Professor Layton game where there are funny characters and back story to reveal, but here it felt like tedium. Still, I’ll give it higher marks than I should for trying and being pretty. Oh, and the inability to use right click to drop objects annoyed me to no end.
