The Prestige by Christopher Priest (7/10)

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A tale of dueling magicians who go through ever more elaborate lengths to uncover each other’s secrets. It’s all told from various character’s perspectives and switches between journal entries and other literary devices. There’s a sci-fi/horror twist that I could see coming from a million miles away. I’ve heard the movie is much better, so I will probably watch that soon.

Censor (8/10)

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Horror movie character study about a “Video Nasties” censor who begins to mix the memories of losing her sister under mysterious circumstances with the graphic films she is viewing for her job. This one is slow moving but always engaging. The style becomes more and more Bava-esque as she descends further into her insanity.

The Dark Knight Rises (8/10)

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My superhero movie epilogue has me finally watching the third Batman film (in the good trilogy). The Dark Knight is probably the best of all these superhero movies and it didn’t really need a continuation, but here we are. The opening sequence is on par with the best James Bond cold openings. That is until Bane talks. At first I thought that I was watching some sort of crappy fan edit in which they replaced Tom Hardy’s voice with Plankton from Spongebob. But, no. Bane’s voice is supposed to sound like that and be three times louder than everyone else. That aside, the rest of the movie was good, well-paced, but not quite at the level of its predecessor.

Spider-Man: Far From Home (6/10)

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Okay, one last Marvel movie before end this diversion and get back to 70s sleaze (I’ve been told I have to watch WandaVision despite the fact that Vision and Wanda are the two dullest characters in the whole franchise). The second MCU Spider-Man movie is not nearly as good as the first. It leans a little too much into teen drama and cares very little about its villain. The most interesting aspect is the brief overview of the consequences of “post-Blip” Earth.