The Odessa File
Lacks the pacing that could have made this a great spy thriller, and many of the performances are quite wooden. However, the climax is quite well done and makes up for much of the ho hum middle.
Lacks the pacing that could have made this a great spy thriller, and many of the performances are quite wooden. However, the climax is quite well done and makes up for much of the ho hum middle.
A lot of people said this was horrible, but I didn’t mind it so much. Funny but completely lacking in character development.
Entertaining war film parody. A little bit too much of an action film at the end.
Decent animated feature that’s completely cliche, but enjoyable.
A quirky 60’s sci-fi thriller meets bedroom farce. Fairly entertaining but the ending is muddled.
Like a long medicore episode. Very disappointing.
The best bond since the Spy Who Loved Me. The emphasis is on character development instead of over-the-top action sequences. Feels more like the books than most of the films ever did.
Japanese horror that draws almost note for note from Italian gore-maestro Lucio Fulci–synthy score, gratuitous eye gag, sound f/x track that is comprised almost entirely of someone stirring a bowl of Kraft Macaroni & Cheese. Not quite a classic, but there are some nice misdirections and twists in the set pieces.
Shephen Chow’s family movie that follows the formula laid out in E.T. a couple of decades ago. Chow knows his craft. Just when you think the movie has started to drift off track his pulls it back on track. The ending is a little lame.
“Imperial battleship, halt the flow of time!” This is some awesome trash. Mostly crap, but pay attention to the score by John Barry(!) and the beautiful widescreen shot framing.