Platform: PC

The Crimson Diamond is a throwback to early Sierra 3-D adventure games like King’s Quest and Space Quest. Unlike their far-more refined contemporaries at LucasArts, the Sierra games still used a text-based parser instead of a pure point-and-click interface. The text input allows for much more detail in the way puzzles are structured, but it also introduces some major annoyances in terms of guessing verbs in hopes of instigating a particular action.

The Crimson Diamond attempts to mitigate some of these known problems by including quite a few quality-of-life improvements like a notebook and shorthand commands for common actions. Overall the game manages overcome most of the limitations of the mechanics. As far as adventure games go, it was not as difficult as any of the original Sierra titles were but there’s a bit of a twist to that assessment that I will discuss a bit further down.

Much like the very first graphical adventure Mystery House, this is a murder mystery. You play as a mineralogist assigned to investigate if diamonds indeed exist in the remote Canadian forest area of Crimson. You find yourself in a lodge filled with suspicious characters and then shenanigans ensue. The setting is mostly limited to the lodge and grounds around it and the game-play is very process oriented: collect fingerprints, identify footprints, and eavesdrop on conversations.

It’s all wonderfully illustrated and written with quite a few memorable characters. The art style mimics that second wave of Sierra games starting with (I think) King’s Quest IV in which the graphics are still pixelated, the palette is limited, but a slightly higher resolution allows for more detail. That three pixel blob is now a seven pixel blob and it kind-of/sort-of looks like what it’s supposed to be.

Aside from some technical problems (which are slowly getting fixed with each release) my biggest problem with the game was its end-game. I was not prepared for the final interrogation in which I was supposed to type in the names and actions of the guilty parties and much more. The idea here is that it will add replay-ability as you realize all the clues you missed, but I do not have the patience to replay most games, especially an adventure game. I would have preferred if the game had a similar, lower stakes version of this interrogation in the first act to prepare me in advance and make me more aware of the importance of note-taking and the thorough investigation of everything.

But, overall it was enjoyable and more detail oriented players will probably like it quite a bit.

Part two is more of the same from this Mexican brawling platformer. You explore the world and as you complete sections of the game you are given fighting powers which open up more areas. The combat is fluid and controllable and has a gentle ramp-up in difficulty where you constantly feel as though you are improving.

The world is open to explore, but backtracking is kept to a minimum. Only at the very end of the game did I find myself retreading completed zones in search of missing collectables. For the first time ever, I’ve played one of these games to 100% completion and, let me tell you, some of those final challenges are insanely difficult, requiring every bit of skill I had mastered until that point.

Again, nothing revolutionary here, but my tempered expectations left me much more satisfied in this second iteration of the game. Yeah, I got the good ending!

It’s Portal with cubes! Not quite, but it’s still a spacial puzzle game in which you are trapped in a bleak lab environment and must puzzle your way to the exit. This tenth anniversary edition adds a story via voice over communications with outside entities. It helps to give some context to the levels, but it’s not really critical to the game.

The main course is the puzzles. The idea here is that there are various colored panels that perform distinct actions: red creates a pillar, yellow a platform/staircase, blue a springboard, and green generates a moveable cube (with magnets! How do they work?). The first dozen or so levels are ridiculously easy. Eventually new twists are added like rotating walls, magnets, guide-able laser beams, rolling objects, and automatons. You slowly build up the skills to manipulate these new elements using those initial four building blocks. By the end, some of the puzzles can get pretty spatially mind-bending. The minimalist story comes to a nice little conclusion that makes it all feel worthwhile.

A Borderlands 2 stand alone expansion that is more of the same from this franchise. In this one, you are playing a game within a game as Tiny Tina DM’s a table top RPG filled with dragons, wizards, and other fantasy archetypes. There is very little to distinguish it from the other games in the series other than the grenades now act as missile-style spells. You are still collecting randomly generated guns and pairing weapon types with various enemy types. The main reason for playing this is to get the usual doses of comedic stories and characters. Claptrap is searching for his wizard beard, Torgue is a jock looking to gain nerd-cred, etc. A worthy expansion if you like the series.

Skald was one of handful of Kickstarter projects that I have backed. It is a throwback tribute to 80s role playing games like Ultima or Phantasie with a heavy emphasis on pen-and-paper dice mechanics. Watching the game’s development has been pretty interesting. Early builds of the game look very much like the PC version of Ultima V. As the months (and years) went by that art style became much more detailed and modern stuff like weather and lighting effects were added. The final product is an incredibly detailed pixelized world to explore.

So much care has gone into every single map tile. There is an overwhelmingly brown and gray tone to the art. I think this is trying to be reminiscent of the Commodore 64 palette but at times, especially during nighttime battles, it became difficult to discern friend from foe from foliage. The art style extends into several lovely “cutscene” graphics and various dialogue screens. There are even fanciful medieval drop-cap letters in the text display.

All of this is in service of a Lovecraftian tale of dark fantasy in which various old creatures are emerging back into the world and corrupting the minds of men. As far as I could tell, there wasn’t much emergent gameplay. The story is pretty linear despite the initial open-world feel of the map. I am playing this just coming off of re-playing the first two Fallout games and perhaps I expect a bit more player choice in the narrative. But, to be fair, the Ultima games were basically adventure games with role-playing mechanics thrown on top.

The role-playing here is mostly about building the skills you can use in combat and navigating the world map. Many tasks in the game will require a stats checks and Skald literally shows dice rolling as it checks for success. As experience is gained and characters level up, the player can assign points to stats trees that differ based on class. Spells are gained, new attacks are learned, and various combat skills become unlocked.

Skald is at its best during combat. It recreates the turn-based strategy of the early Ultimas in which you control the actions of every character in order of initiative. It isn’t quite as tactical as the Wasteland sequels but there is a fair amount of positioning, spellcasting, ability management. Keeping everyone alive is a challenge and those battles that end with just a couple of party members still standing are exhilarating.

Skald falls short of greatness in that it does not quite live up to the potential of a next-gen 2-D RPG. Hopefully the engine will continue to be developed to add more environmental interactivity, a better dialogue system, and a more expansive and explorable over-world. During the Kickstarter there was walk of releasing development tools. I’d love to see what the modding community can come up with using this system.

I couldn’t resist the pull of Fallout after a recent playthrough of Fallout 1. This is the second time I have played Fallout 2 but I have little to no memory of the game other than the opening temple and the Reno levels.

The game may not look much different than its predecessor, but there are massive improvements. The world is much more vast and there’s more variety in the overworld encounters and towns. Your followers now have a combat settings in which you can granularly control their actions. You can even tell them not to burst fire you to death! Inventory management is slightly better. They’ve added a “Take All” button to the interface. There’s a car that you can use for fast travel. Also the tile sprites are more detailed and you can tell characters to move if they are blocking a doorway. In other words, if you’re wanting to try out a vintage Fallout game, this is the one to play.

My biggest negative about the game is that the main quest line is nowhere near as good as the first game. It makes up for it in the sheer number of side missions and character dialogs to distract the player from the ho-hum threat of The Enclave. And at least there is no water-chip timer ticking to push you along.

My final thought is that much of what we think of when we think of Fallout really comes from the 3-D sequels. The retro-fifties aesthetic mostly exists in the manuals and marketing of these old Interplay games. That actual feel of the 2-D world is way more Mad Max than Leave it to Beaver.

I just finished watching the pretty good T.V. adaptation of the game and was inspired to start up a new game of the original. Fallout was the first thing I ever bought on eBay back in ’98. The box smelled like cigar smoke, but the game didn’t stink at all.

In retrospect, it’s not quite as good as I remembered. There are just a few to many fiddly “puzzles” where you are supposed to try using random objects on the environment to get past obstacles. There are no clues. You just have to know to “use radio on computer” or whatever.

Otherwise, everything else is great. I love the turn-based combat, the skills, and character interactions. The game is relatively short, especially when compared with the 3-D open-world sequels. We need more digestible length games these days.

I played a modded version of the game using a patch called Fallout Fixt. Most of the enhancements were not noticeable to me, but there were a couple things that I later realized weren’t in the original game. Most importantly you can tell your followers to move out of the way if they are blocking a doorway. This doesn’t work on recruited help from the Brotherhood and can end up making the game unwinnable. This is because the mod allows the Brotherhood knights to join you inside the mutant military base, which wasn’t designed for companions to fit alongside you.

I ended up playing all the way through the game and got all the good endings except for killing the Khans off. I’m tempted to fire up Fallout 2 now, but I should probably hold off. Skald comes out in a month.

The second Legend of Grimrock takes the retro dungeon crawl mechanics that worked so well in the first game and expands them into an open world RPG experience. You are still confided to the grid, but now that grid is decorated with a variety of natural environments and dungeon types.

While much of the game remains the same, there is a greater emphasis on puzzles. I generally enjoyed the environmental challenges that relied on exploration and trial-and-error. There are, however, a number of riddle-based puzzles which I was not as keen on. Maybe I’m just a big dummy because found myself turning to the Internet to get past a few of these.

If you are not familiar with games like Dungeon Master, the combat can seem weird. You are constantly shuffling back-and-forth to avoid damage, but still clicking characters in a turn-based style to fire off attacks. Casting spells becomes a frantic race to draw symbols on the screen, move around, and maintain the health of your other characters. It’s weird, but I find it very satisfying and would highly recommend trying this series out.

Technically this is just an expansion pack for Ion Fury, but this is a full-game’s worth on content. The most notable additions are the new weapons, monster types, and a “rotorcycle” vehicle. The vehicle levels were the weakest part of the game for me. I’m just not a fan of the racing style combat. But everything else is pure 90s shooter fun that fits in nicely with this already excellent game.

Decades ago I played through Quake II and I remember being quite impressed with the opening cinematic. Starship Troopers was still fresh in my conscienceless and that feeling of being part of a botched invasion and left alone on a hostile planet really struck a chord. With the fancy 3-D graphics, it all seemed so real… and brown. Seeing this new remastered version, despite its many improvements, reminded me of just how primitive this game is compared to what we have today.

Fortunately for Quake II, the actual mechanics of the game are what made it so great. This is the definitive (I loathe this term) Boomer Shooter. Fast motion, twitchy gunplay, barely any attempt at story. The main drawback of the game is its drab and repetitive level designs. This remaster includes a huge, newly created mission pack that proves that the engine is capable of some more creative and non-brown environments. This bonus pack is worth the cheap $10 price tag, but, if that wasn’t enough, you also get the N64 version and two other expansions. Admittedly, by the end of the last expansion, I had quite enough Quake II for this lifetime.

This remaster has widescreen support, better enemy A.I., better lighting effects, and, most importantly, an in-game “quest arrow” system to help you find your way to the exits.