Recently, I took my first foray into ordering music from a major online retailer. Normally I avoid online music vendors. Unlike books, where you can find sites offering up to 40% of the cover price, there aren’t any good discounts on CDs at the major vendors like Amazon, CDNow, or CDUniverse. Sure, they always say you are geting a 10% discount, but that’s usually off the mall-markup price where CDs tend to go for seventeen-fifty bucks a pop. I pretty much refuse to pay more than $13.50 for music, and even that’s excessive.(a good rule of thumb: never pay more than a dollar a song)
Not following my own advice, during a dry spell at work, I decided to do some music shopping online. I figured the price of the markup would be equivalent to the cost of me getting to a record store here in the city. I found a couple of CD I wanted at CDUniverse and they were actually reasonably priced, sans-shipping that is.
The ordering process was simple enough. There was, however, a cryptic Hold for 3 Days dropdown bit that wasn’t explained very well. I chose first class shipping, which was supposed to arrive in 2 to 7 days. This, I soon found out, was not to be the case.
Having ordered on a Friday, I patiently waited over the weekend, expecting my CDs to arrive on the following Monday or Tuesday. Neither of the CDs was on backorder, yet they held my order for 3 days waiting for backordered items to arrive!?! I guess that explained the Wait 3 Days dropdown I had no choice but to select. It appeared my CDs were to be shipped, rather than receive my CDs on Monday.
The bit about the whole transaction that really ticked me off was the fact that it then took 2 full weeks for the CDs to arrive. The reply to my complaint was basically that their orders don’t take 2-7 days as advertised on their site, rather, I was to allow 7 to 14 business days. If I had known it would take half a month to complete my transaction, I would have just walked to the nearest mega-music store during my lunch break and just forgot about saving a couple of bucks.
The final blow in this ordeal was that when the CDs finally arrived, the jewel cases were smashed to hell due to poor packaging by CDUniverse’s shipping department. Sure, they’ll send new jewel cases if you request them, but wouldn’t be cheaper for them just to put an extra sheet of bubble wrap around the CDs? Or how about just shipping your stuff priority mail. $3.50 would cover half a dozen CDs, and it would only take 3 days to be shipped.
CDUniverse, you SUCK! I hope you and the rest of the lame-ass e-Commerce scam artists are destroyed in the great dot com crush! If you are looking for music, support to your closest independent record shop and give the finger to all eMusic vendors.
What exactly is a Theremin? Well I’m glad you asked that question, because that will allow me to use the BLOCKQUOTE function in my HTML document. Here’s an excerpt from the Big Briar Information Bulletin No. 9201A:
The theremin is one of the very first electronic musical instruments, and yet it is one of the most novel and original. It is played without being touched. The instrument responds instantaneously and continuously to the motions of the player’s hands in the space surrounding it. The instrument’s tone at times resembles that of a violin, cello, or human voice, but has its own unique ethereal quality.
The theremin was developed in the 1920’s by the Russian physicist Lev Sergeivitch Termen (anglicized to Leon Theremin). The Radio Corporation of America produced a limited number of theremins during the late 1920’s under license from Professor Theremin. Then, during the 1930’s, Professor Theremin formed his own company in New York City to further develop the theremin, as well as to design and build other, more experimental electronic musical instruments. Theremin returned to his native Russia in 1938.
The theremin is played by standing at arms length from the instrument and moving one’s right hand towards the vertical antenna to increase the pitch. The player’s left hand is held about a foot above the curved volume antenna. As this hand is moved closer to the antenna the volume decreases. The size of the fields of both antennae can be altered as well as the waveshape of the sound. The distinct theremin sound is unmistakable and has been used for years as background music in various movies. The eerie sound lends itself to sci-fi and horror flicks, most notably The Day the Earth Stood Still. As well, it has appeared in many recorded songs. Perhaps the best example is that ghostly sound during the chorus of the Beach Boy’s Good Vibrations (I’ve been recently informed that the Theremin-like sound is not a traditional space-controlled theremin. It is actually a similar-sounding electronic instrument called an electro-theremin). To learn the almost complete story of Theremin and his electronic adventures rent Theremin: An Electronic Oddessy.
Where to Get a Theremin:
The company I ordered my theremin from was Big Briar. This is a company started by Bob Moog, inventor of the Moog Synthesizer. They sell high quality theremins (the now discontinued 91 Series A,B+C, were priced in a range from $2500-$3050 and they now have a MIDI capable theremin called the Ethervox MIDI Theremin and it goes for $3500). If your looking for a starter model, as I was, I highly recommend starting with the Etherwave Theremin Kit ($299). It also comes fully assembled for a price of $369. Although putting together something that you know you will be plugging into a wall may seem scary at first, I would suggest buying the unassembled kit to save money and its much cooler to say to your friends (who will already be impressed by the fact that you own a theremin) “Hey I built this all by myself!” I began to see Etherwave popping up all over. Most recently I saw Man or Astroman? in concert and it seems that Coco EMW has upgraded from his flimsy pitch-only theremin to a strapped-on, black Etherwave model! When you buy the kit it comes with an unassembled theremin, a video on how-to-play (hosted by Lydia Kavina), a Clara Rockmore CD, and a booklet on the history of the theremin. If you’d like more info or just want to order your theremin today write or call Big Briar at:Big Briar, Inc. ELECTRONIC MUSICAL INSTRUMENTS 554-c Riverside Drive Asheville, NC 28801 (800)948-1990 info@bigbriar.com
Having no real electrical engineering skills, I was a bit nervous about having to assemble the theremin. It was, however quite an easy process. Read on and relive my assembling experience in the next section…
Putting Together my Etherwave Theremin:
Well, it took about three month’s but I finally received my theremin from Big Briar. It was a Monday morning when I got a buzz from the delivery guy. As soon as I got the box up to my place I carefully knifed it open. At first glance it seemed as though putting it together was going to be a major task. The package contained two pre-assembled sections of the wood case, a bubble pack with a circuit board enclosed, two bags of miscellanies parts, and the two shining antennae. The first step in assembling the kit was to stain the wood case. It seems every other person who I’ve seen playing an Etherwave has gone for the shiny all-black look. Personally, I think this looks cheesy, like something Quiet Riot would use, and prefer the wood-grain look. The wood seems to evoke 1917 a bit more than Ibanez black! For my stain I just got some Minwax stain (with the poly-stuff pre-mixed in) and brushed it on. This is the only step where I goofed pretty noticeably. The key here is to apply the stain very thinly. Take the time to get gradually the darkness you need. I was impatient and applied the stuff heartily. When it came to steelwooling the surface to place my second coat on the areas that were too thick just chipped off. This whole process can take about 16-24 hours to allow all the coats to dry thoroughly.
The next step was fastening the two antennae to the cabinet. I needed to buy epoxy for this step. This whole process is simple enough. You just tighten a couple of bolts and there you have it. Make sure your pitch antenna is vertical before the epoxy dries. Mine is ever so slightly off (but it works just fine). Really once I got all the parts laid out it didn’t seem as complicated as I first thought. In fact, most of the steps are just putting in screws. At this point I also had to stick a provided piece of foil into the interior of the cabinet and (this was one of the most difficult parts) peel some self-adhesive felts to be placed on the feet of the unit.
The next major step was putting the front panel together. No big whoop, just screw a couple of nuts. You do need a very small flat-head screw driver to tighten the knobs on the front. I had to settle with the tweezers from my pocket knife.
Finally, I had to wire the unit and solder the connections. I made sure to buy a wire stripper so I wasn’t destroying my wires with my ineptness (’bout $5.00). The directions are pretty straight forward as to where to put what wire. The pieces are small so be sure and have a needle-nose pliers handy. Tinning the wires took the longest amount of time. The actual soldering was fairly easy compared to the tinning step. My only problem was when I was soldering the pitch wire to the circuit board the connection on the board got to hot and started to shift. Luckily I removed the heat before I raunched it. During the summer of 1997 I did some of my first recordings using my theremin. I am, admittedly, a really poor thereminist, and in 2 out of the 3 songs I used it on, the theremin is used mostly as a sound effect. I’m debating whether I should contaminate the net with my recordings.
Fudge Tunnel – Hate Songs in the Key of E Grungy metal. Not sure why I own this. All I know is that it isn’t worth putting up for sale on Amazon.
Fugazi – 13 Songs Stop all that slam dancing you punks. It’s Fugazi! Classic post-punk record(s).
Fugazi – Repeater Although there are not as many stand alone “hits” as there are on 13 songs, this is perhaps their best record.
Fugazi – Steady Diet of Nothing There’s something about the attitude of this record that turns me off. Ian Maykaye’s vocals are at his absolute most annoying level on the attrocious track, Long Division. I stopped buying Fugazi albums after this (for a while at least).
Fugazi – In on the Kill Taker Although the ultra cool opening is quickly squandered by Fugazi sameness, this CD redeemed the band somewhat for me. There are a couple of stinkers, but not bad overall.
The Galaxy Trio – In the Harem Surf inspired instrumental music, but with a more distorted, 90s edge.
The Galaxy Trio – Saucers Over Vegas More of the same.
The Giallos Flame – The Giallos Flame Despite the corny cover, this is a pretty decent CD. The songs are inspired by the music of Gobin, Fabio Frizzi and other Italian Giallo soundtrack motifs. The tone fluctuates between jazzy, funky and synth-rocky (the latter being my favorite).
Girls Against Boys – Cruise Yourself Groove-centric 90s hard rock. A laid back wall of sound.
Godflesh – Godflesh Extremely heavy and slow. This is from before they discovered house music.
Godflesh – Streetcleaner These are slow jamz for the grindcore set. Loud, piercing and slow. The slightly more experimental bonus tracks are better than most of the actual tracks on the LP.
Godflesh –Slavestate A really great album. The gurgle and grind of the previous albums is honed in with a rhythmic, electronic backdrop. Not dance music, but a far more groovy version of Godflesh indeed.
Godflesh – Pure This is my favorite Godflesh album. This is almost an industrial music album, but the samples and electronics are only there to color the edges of the mix. Unlike previous feedback heavy Godflesh releases, you can actually hear the instruments and what they are playing–this is a good thing.
Godflesh – Cold World A nice Pure-era single. These tracks are as good as anything from that CD.
Godflesh – Merciless How Godflesh lost her groove.
D.O.A. – Bloodied But Unbowed Straightforward Canadian punk rock.
D.O.A. – True (North) Strong & Free Slightly less punk, and a bit more cheesy bar band sounding. Dull.
D.O.A. – Murder Again, not the most innovative band around. Slightly better than the previous CD listed here.
Thomas Dolby – The Golden Age of Wireless She Blinded Me with Science is so over-played that I can’t enjoy it anymore. Thankfully, many of the other songs are worthwhile on this CD: Europa and the Pirate Twins and Windpower stand out for me.
Thomas Dolby – The Flat Earth Veers a bit into adult contemporary territory, but there’s enough new wave-ishness here to keep it interesting.
Dollface – Corvette Summer The finest band to ever come out of Peoria, Illinois. Every song is a gem here.
Dollface – Lights the Pilot Geez, this band was good. Shoulda been bigger.
Drop Acid – Making God Smile Kevin Seconds’s post 7 Seconds band. Very 90’s sounding. I saw this band open for Superchunk in Champaign, IL the night Magic Johnson revealed he had AIDS.
Drums & Tuba – Flatheads and Spoonies Really they are drums, tuba and noodly guitar. Bought this on a whim after seeing them live. Different, but the songs get old pretty fast.
El Vez – How Great Thou Art A certain amount of pop-music literacy may be required to really appreciate El Vez. Funny, but there’s much more going on to really discount him as a “joke” band.
El Vez – Merry MeX-Mas El Vez’s first Christmas album. His cover of Feliz Navidad/Public Image is a classic. Highly recommended listening.
El Vez – Boxing With God Religion-inspired rock from El Vez. His amazing skill as an arranger is in full play here.
El Vez – Sno Way Jose More Christmas (and Hanukah) greatness.
Eminem – The Marshall Mathers LP Okay, Wika bought this one. She got it at Wal-Mart so it is edited and bleeped. It’s almost worth a listen just to hear how much this is cut up. Even if we could hear the bad words, this album still would suck as much as it already does.
Esquivel – Space Age Bachelor Pad Music Wonderful, off-the-wall big band arrangements from the 50’s and 60’s from this musical genius.
For those of you who don’t know, I like to make music with my computer and have done so in one form or another since the days of The Music Construction Set on my old Apple ][+. In the mid-Nineties I began compiling my solo musical output under the moniker, Martian Law. The first record I produced was actually a cassette tape that I gave away as a bonus to people who bought one of my wood engravings. In hindsight, this tape is pretty embarrassing, but it did contain a few numbers that I still can appreciate.
In 1999 I followed my debut with my first full-length CD release, The Exciting Sounds of a Compaq P133. This disc was comprised of my first purely digital (no more cassette 4-track recording!) musical compositions. The sound is a little rough due to the primitive, non-pro software I used, but I am more-or-less happy with the way it turned out. I have now converted the CD audio tracks into super high quality MP3’s and have made them free for you to download and add to your digital library. In addition, I have taken the songs that I composed in the years after P133 and assembled them into their own proper release, Upgrade Downgrade. This four song EP is sonically superior and is, I think, my finest work to date. Download and enjoy, and please let me know what you think.
Martian Law – The Exciting Sounds of a Compaq P133
Martian Law – Upgrade Downgrade
These files are available through the file hosting service Drop.io. Each MP3 can be previewed and then downloaded to you local machine using the “download” links throughout the page. The preview versions are a lower quality MP3 than the actual download you will receive.
Devo – Now it Can Be Told Despite being recorded during the waning years of Devo, this live album is actually pretty great. They even make the bad Total Devo tracks seem almost good.
Devo – Smooth Noodle Maps Devo’s last release is okay. I bit more consistant than Total Devo. But still nothing close to their glory days. The cover fo the Greatful Dead’s Morning Dew is the best track on the CD.
Devo – Post Post Modern Man (single) A CD single from Smooth Noodle Maps. Nothing remarkable here.
Devo – EZ Listening Disk Devo covers devo.
Devo – Hardcore Devo Vol. 1 Lacks the electronic polish of their best work, but most of this CD is essential Devo.
Devo – Hardcore Devo Vol. 2 Same as above, just more.Devo – Greatest HitsMost of my Devo collection is in the form of cassettes, so I bought this so I would have a CD version of their best stuff.
Dianogah – As Seen From Above Two basses and a drummer. My friend Jay’s band revived my waning interest in indy-rock in the early 00’s with this CD.
Dianogah – Battle Champions My favorite Dianogah album.
Dianogah – Millions of Brazillians Not their best work. I think I was wanting more from their sound when this CD came out. I still like it quite a bit.
Dick Dale – Tribal Thunder Dick Dale’s awesome comeback album. Totally insane. Dick Dale was signed as a witness on my organ donor card for years.
Dick Dale – The Best of Dick Dale and his Del-Tones More great Dick Dale – the self-proclaimed inventor of heavy metal(?!)
Didjits – Hornet Piñata Champaign band. They were a great act to see live, but in hindsight, their music is kinda lame.
Didjits – Full Nelson Reilly Same as above.The Dirty HowlersGreat garage rawk from Chicago.
The Dirty Howlers – Behold! Another batch of raw rockers from the Howlers. They broke up immediately after they released this CD.
Yesterday I came across this incredible Web log, Twilight Zone for Your Listening Pleasure. This guy posts tons and tons of great garage and rock ‘n’ roll records with large cover scans and links to the full albums in MP3 format. Usually, you just click in to the comments of each blog post and you are given a link the the MP3s in zip format. Cut-n-paste the link and you can grab the files for free. There is a limit of one package download per hour, but it’s worth the wait to get your ears on some of these comps.
Happy New Year! My overview of my entire CD collection continues.
The Challengers – Lloyd Thaxton Goes Surfing with The Challengers One of the best of the early Sixties surf bands. A very polished sound.
The Challengers – K-39 Another great Challengers record with even more focus on Delvy’s drums.
The Cherry Poppin’ Daddies – Ferociously Stoned Great song writing, lots of hopping big band-ish numbers and the wonderful The Lifeboat Mutiny. A couple of funk laden stinkers, but aside from that and maybe some thin production on the drums, I love this record.
The Cherry Poppin’ Daddies – Rapid City Muscle Car A far more consistent album than the previous, and just as good. The best tracks here aren’t quite as good as the best ones from Ferociously Stoned, but nothing to complain about.
Chrome – Half Machine Lip Moves / Alien Soundtracks Contemporaries of Cabaret Voltaire, Chrome were just about as noisy. Chrome stuck to a more traditional guitar, bass and drums for the core of their sonic abstractions. There are some toe tapping tune hidden in here.
Circle Jerks – Group Sex / Wild in the Streets A punk band that everyone had to have listened too when they first discovered punk. The songs don’t hold up that well these days, but they are short and it’s over before you get bored.
Circle Jerks- Wonderful I think I bought this CD for 2 or 3 dollars used. The lyrics are funny and the musicianship is improved, but the songs are really stale compared to my favorite Circle Jerks’ record, Golden Shower of Hits.
The Clash – London Calling I don’t know. I think this may be one of the most overrated records ever. It’s not awful, I guess. But it just doesn’t clique with me. There are plenty of memorable moments, but outside of The Guns of Brixton I find this stuff plain boring. It’s like fairly proficient bar-band music with (politically) revolutionary lyrics. Meh. And if I never hear the excruciating anthem Death or Glory again, it will be too soon.
Chris Connelly – Stowaway RevCo / Ministry singer does his best David Bowie impersonation yet.
Coyle & Sharpe – On the Loose Incredible man-on-the-street gags. Pure genius.
Coyle & Sharpe – Audio Visionaries More Candid Microphone weirdness. Not as good as On the Loose but still is hilarious.
Criswell – The Legendary Criswell Predicts! Your Incredible Future Be amazed as Criswell gets about 99.9999% of his predictions wrong. Nakedness is a key element of many of them. Funny and weird and mastered as a single 45 minute long CD track.
The Dave & Deke Combo – Moonshine Melodies Hillbilly bop. Great musicianship and a great sense of humor.
The Dave & Deke Combo – Hollywood Barn Dance More swinging hillbilly music. Better than the first CD. A whole barnyard of fun.
Sammy Davis Jr. – Greatest Hits I have a real soft spot for Sammy Davis Jr. There’s a lot of delicious cheese mixed in with the big band numbers, and man was that guy an Entertainer (with the capital “E”). The live version of Come Back to Me will blow your socks off. It makes any live rock band you’ve heard feel like a 2 hour conference call with regional HQ.
The Dead Kennedys – Fresh Fruit for Rotting Vegetables When I started this project, I was dreading revisiting these DK albums. Jello became soooo annoying later on in his career. Anyhow, I was surprised that much of this was still pretty good. It holds up much better than the drab SoCal punk of bands like Black Flag. Inventive guitar playing and more abstract political snarkiness make this a classic. Even though the CD I got is mastered like crap.
The Dead Kennedys – Plastic Surgery Disasters / In God We Trust, Inc. More awful sounding production/mastering from the DKs. The music is still pretty good. In God We Trust, Inc. is the weaker of the two albums on this CD. Not quite as inspired as Fresh Fruit but good.
The Dead Kennedys – Frankenchrist This album sounds great. Too bad most of the songs are crap. The lyrics are forced and the songs are starting to get too long without going anywhere.
The Dead Kennedys – Bedtime for Democracy Jello is in full on annoying mode on this record. Again, the songs are too plain or just go on too long.
The Dead Kennedys – Give me Convenience or Give me Death A great compilation of singles and imports. Mostly from before the band went sour.
Death Valley – ¡Que Pasta! Nice Ennio Morricone Spaghetti Western inspired instrumentals.
Deke Dickerson – More Million Sellers Wonderful collection of rock ‘n’ roll and country numbers from Deke.
Deke Dickerson – Mr. Entertainment A collection of extras and rarities. As one might expect, not as consistent as his albums but includes some of his best songs such as Double Zombie and Muleskinner Blues.
Deke Dickerson – In 3 Dimensions Another great record from guitar geek Deke. Nicely divided into three groups of styles: rock ‘n’ roll, rockabilly and hillbilly.
The Denison/Kimball Trio – Walls of the City Jazzy guitar-drums combo. Some pretty off-the-wall guitar work, but suffers from every song sounding pretty similar.
The Denison/Kimball Trio – Soul Machine Much more diverse and interesting than the previous CD.
Devo – Q: Are We Not Men? A: We Are Devo! An all-time classic from the definitive new wave band. Quirky, energetic and flat out genius.
Devo – Freedom of Choice My favorite Devo album. The perfect blend of electronics and standard rock instrumentation. Most punk-types prefer their 1st album, but this one works much better as a whole for me.
Devo – Total Devo The “comeback” Devo album that was a flop. It’s not awful, but the spark is gone. Too overproduced and sequenced, unlike the early era albums which were a melding of man and machine. This was the first DDD CD I ever owned.
My overview of my entire CD collection continues. Lots and lots of Cabaret Voltaire!
The Budget Girls – On a Tight Budget Two screaming gals front this wonderfully crude and trashy garage rock outfit.
The Buggles – The Age of Plastic We all know the hit “Video Killed the Radio Star” but there about 2 or 3 more songs on this New Wave disc that are just as good. Some crap too.
William S. Burroughs – Dead City Radio The only way to appreciate Burrough is his spoken word recordings. He could read the farm report and it would seem meaningful. But, let’s face it. His books are well-written but in the end, are just meandering, plotless garbage. In this case, the short format suits him better.
William S. Burroughs & Kurt Cobain – The “Priest” They Called Him Painfully short and Cobain is there in name only. Mostly just feedback. Lame.
Cabaret Voltaire – 1974-76 Cabaret Voltaire at their rawest. Barely listenable.
Cabaret Voltaire – Mix-up A few good tracks, but they hadn’t quite got the idea that music needs some structure to make a person want to listen.
Cabaret Voltaire – The Voice of America The first decent Cabaret Voltaire record. The noise begins to become more musical. Still, not for the feint of ears.
Cabaret Voltaire – Three Mantras 2 Long tracks make up this good early Cabaret Voltaire record. World music has begun to creep up into the noise-scapes.
Cabaret Voltaire – The Living Legends A compilation of early recordings. Pretty good.
Cabaret Voltaire – Red Mecca The best of the Chris Watson era Cabaret Voltaire records. Dark, dense and challenging. Not to be missed.
Cabaret Voltaire – 2×45 Almost as good as Red Mecca with more natural sounding instrumentation and some genuine grooves. A perfect transition into the next phase of their sound.
Cabaret Voltaire – Hai! A post-Watson live recording of some of their early material. Surprisingly improvisational in nature.
Cabaret Voltaire – Listen Up With Cabaret Voltaire A 2-disc compilation of early and mid-career tracks. Highly recommended if you want to hear some of their old material, but don’t want to dive right into the hardcore stuff.
Cabaret Voltaire – The Crackdown This record is the start of the funky, danceable era of Cabaret Voltaire’s records. My favorite of their long career.
Cabaret Voltaire – Micro-Phonies The noisier side of Cabaret Voltaire is almost completely absent from this recording. A solid record that includes the super-excellent “Sensoria” remix.
Cabaret Voltaire – Eight Crepuscule Tracks A dreamy journey back to the noisy-era.
Cabaret Voltaire – The Covenant, The Sword, and The Arm of the Lord Found sounds and noise are brought back into the songs. It’s definitely danceable and funky but the added harshness is a nice change.
Cabaret Voltaire – Code They really lay on the funk on this record, with pounding drums and electric guitar. The sound has once again been cleaned-up and minimalized.
Cabaret Voltaire – Groovy, Laidback and Nasty Another dramatic shift in the direction of the band. This album is filled with traditional Chicago-house electronica and Mal actually sings melodies. In hindsight, a mediocre release, but a necessary transition into their electronica period.
Cabaret Voltaire – Hypnotised (cd single) The best song from Groovy, Laidback and Nasty gets some remixing.
Cabaret Voltaire – Keep On (cd single) More remixes from Groovy, Laidback and Nasty.
Cabaret Voltaire – Body and Soul This record is a great improvement on the previous. Richard H. Kirk is beginning to get a handle on the computer music. The music still lacks some edge but is pretty good nonetheless.
Cabaret Voltaire – What Is Real (cd single) More remixes. Cabaret Voltaire – Percussion Force A few remixes of “Don’t Walk Away” and several new tracks. Highly recommended.
Cabaret Voltaire – Colours The last recordings to feature the singing of Steven Mallinder. Along the same lines as Body and Soul with some further refinement in the style.
Cabaret Voltaire – Plasticity Much of the spirit of the old Cabaret Voltaire has come back in this CD. The music is pure dance electronica, but there is a return to found sounds and exotic world-music samples. Alas, no more singing.
Cabaret Voltaire – Technology: Western Reworks 1992 They dip way back into their catalog to find songs to remix/re-record using the power of computers and such. The result as a dazzling mix of noise and beats. I think this record changed the way Kirk/Mallinder approached electonica. Perhaps one of the earliest examples of I.D.M.
Cabaret Voltaire – I want You / Kino Remixes of the remixes.
Cabaret Voltaire – International Language A collection of new songs continues to refine the electronica meets noise.
Cabaret Voltaire – The Conversation Cabaret Voltaire’s swan song is a sprawling 2-disc masterpiece. It ebbs and flows through various themes and closes with an epic 40 minute track filled with hypnotic sonic beauty. Awesome.
The past year or so I have been an iPod owner and have not paid much attention to my wall o’ CDs. Well, the same songs are popping up just a bit too often during shuffle, and I thought it would be a fresh change of pace if I started popping in a good old CD every now again. To make sure not to miss anything, I decided to pull the CDs down for listening in alphabetical order. I happened to be listening to Big Sandy and the Fly-rite Boys when I made this monumental decision, so that’s where I started.
So here’s where I am so far: There’s the aforementioned Big Sandy CD. It’s listenable yet unremarkable rockabilly stuff. Next, a slew of Blonde Redhead records. The first two CDs, when they had a bassist, are the best. They start to get tiresome up until Melody of Certain Damaged Lemons which is when they start adding electronics and some weirdness to their songs. These were followed by my two Blue Hearts CDs. The first is their U.S. release, Blast Off. It’s a collection of some of their best songs from their first 3 Japan-only albums. Amazing. Next is Bust, Waste, Hip which isn’t nearly as good because the punkishness is toned down quite a bit. Moving on we have The Blue Meanies’ Pave the World featuring fellow Nonagon‘er, Tony on drums. Lots of ska rhythms and horns, without being a ska band. Bomboras, Savage Island is next with lots of organ tinged surf. Pretty good but not their best. Bongwater, The Big Sellout: it’s funny, catchy and psychedelic all at the same time—a very good record. The Boogie Patrol Express La Polyester Fantasy is the only(?) CD from this early 90’s Eugene, Oregon band. Straight-forward, ever-so-mildly ironic disco music, played expertly with real instruments by talented kids. Next, I have two wonderful Boss Hog CDs, Boss hog and Whiteout, both of which are great loud . Finally, we have Brian Brain’s Time Flies When You Are Having Toast—A solo effort by then P.I.L. drummer Martin Atkins. This is a weird CD with lots of late 80’s sounding synths in front of Atkins pounding drums. Some of the tracks would be at home on a childrens’ record. It is about as far from Atkin’s Pigface as you can imagine, but, you know what, I love this CD. It was 99 cents when I got it!
Well, that was shelf unit 1 of my big Ikea CD rack. I will report back when I get through the next section.
