The Old Man
…and this is one of my better flash movies. Starring John Burgess as the voice of the old man. The joke is ripped-off from a Cheech and Chong gag.
…and this is one of my better flash movies. Starring John Burgess as the voice of the old man. The joke is ripped-off from a Cheech and Chong gag.
While on vacation in Tinsel-Town, I had the pleasure of viewing the 1974 Sci-Fi epic, Zardoz. This film, John Boorman’s follow up to his masterpiece, Deliverance, ranks amongst the most confused and misguided pieces of cinema I have ever witnessed. Suffice to say I loved every minute of it.
Like Ed Wood’s Plan 9 from Outer Space, Zardoz is a complete train wreck that fails at so many levels it has to be seen to be believed. If you don’t want me to spoil the fun for you, stop reading and go rent it now (it’s coming out on DVD later this month), otherwise what follows is my synopsis of this debacle.
Zardoz is undoubtedly a product of the early seventies, when hippies were still stinking up the land and all the hipsters were out to “expand their minds.” The film, I suppose, owes much to Stanley Kubrick’s, 2001: A Space Odyssey. This chart maps the comparison:
2001: A Space Odyssey | Zardoz |
---|---|
Set in the near future (2001) | Set in the distant future (2293) |
Trippy planetariumesque light show | Slide projections on Sean Connery’s tangled nest of a chest |
Deals with man’s evolution to the next level, floating space fetuses | A cast of immortals, the supposed pinnacle of human evolution, who go topless at the drop of a hat |
A perplexing ending in which the main character rapdidly ages through the stages life. | A perplexing ending in which the main character rapidly ages through the stages of life. |
All this worked in Kubrick’s movie, what was Zardoz missing that could have taken it to the next level? My guess is that it’s Zardoz’s general lack of monkeys. This was Kubrick’s genius. The man knew how to push the monkey to boring plot ratio. Boorman came close to achieving this sublime balance by casting Sean Connery in the role of Zed’s hairy chest, but falls just short of the mark.
Most of the film does consist of Sean Connery running around in a reddish Speedo™ and knee-high boots, with nothing but a bandoleer covering his chest. My reaction during the first third of the movie wavered between being in awe of this ridiculous outfit and wondering why Connery even accepted this stupid role.
For all its failings, there are some seemingly grandiose ideas lurking behind the cheese. The movie actually opens with the floating head of Arthur Frayn proclaiming that the story we are about to witness is of great importance, “rich in irony and most satirical.” You would think that somehow a guy with a painted on moustache and an English accent couldn’t possibly mislead you. However, by the end you realize his monologue bears the same message delivered in Criswell’s intro to Plan 9: “Future events such as these will effect you… in the future!”
The whole thing seemed to be about something. What is truth behind our existence? Who controls the floating god-head of Zardoz? Are guns really better than a penis? Wouldn’t it be great if we all died? The only real message I got from the film was that drugs are bad, they make you do embarrassing things, they make horrible film ideas come to fruition.
Much of the film’s plot centers on the giant floating stone head of Zardoz. The question that perplexes the residents of the Vortex and the one that the film makers want the audience to be perplexed about is, “How did Zed get inside the stone head?” This doesn’t provide much of a driving plot line. Many times throughout the movie, the question most of us as viewers want answered are more along the lines of, “What just happened?” The movie is filled with little goofy touches: one of the character’s voice cutting in and out for his friends’ amusement, green bread, mud wrestling, zombie-like characters who drink sweat for power, group-meditation, and gratuitous toplessness.
Fortunately, later this month Zardoz will be released on DVD. The DVD will include John Boorman’s commentary. I am hopeful that his commentary will amount to more than an apology to his fans, and that they truly let some light on the meaning behind this cinematic debacle.
My father, like our recent commander in chief, has an uncanny knack for flubbing phrases and for saying things that are just plain bizarre. His co-workers quickly picked up on this and for more than twenty years they have been keeping track of all the crazy things he’s muttered.
My father, like our recent commander in chief, has an uncanny knack for flubbing phrases and for saying things that are just plain bizarre. His co-workers quickly picked up on this and for more than twenty years they have been keeping track of all the crazy things he’s muttered.
At his retirement party they gave him a bound and hand lettered volume containing all of his “Gomerisms.” For your enjoyment, I present you with the complete listing. A word of warning, a number of these are either inside jokes or relate to medical stuff that the average Joe won’t get. But don’t fret, the majority defy any explanation anyway.
A special thank you to Dr. Ralph Bransky whose idea it was to have these recorded and Dennis Flack for recording them for prosperity!
Note: We have since found out that this type jumbling of sayings may actually be a speech impairment along the lines of stuttering. My Dad is a very smart and well-read man, but he did stutter somewhat when he was younger.
A little something gets lost in the translation when our friends across the Pacific try to write in English.
Here is a little sampling of the exotic flavor and grammar of the orient. This is the actual packaging from a Taiwanese brand of snack crackers.
Well, I just finished watching the first debate of the 2000 election. Here is a doodle I made of Al Gore during the broadcast. All the pundits talk about how great a debater Al is, but I just can’t get past his overplayed emotions and his I’m-talking-to-a-6-year-old delivery. Hey, and has anybody seen his eyebrows!?! My ol’ uncle Mervis P. Napkin once told me, “Never trust a man who ain’t got no eyebrows… they gets all that sweat in their eyes and that ain’t right.” There’s definitely something above his eyes, a weird lump of skin or something. Perhaps some silly putty clumps?
They do a lot of Democrat/Al Gore design pieces in the design studio where I work. They make a point out of covering up or cropping his wispy bald spot in the photos they use. I wish they would just airbrush in some Dekaukus/apeman eyebrows. It just ain’t right. Or as Mr. Gore like to say in his best, condescending tone, “That would be unconscionable, and that means… BAAADD!!
Recently, I took my first foray into ordering music from a major online retailer. Normally I avoid online music vendors. Unlike books, where you can find sites offering up to 40% of the cover price, there aren’t any good discounts on CDs at the major vendors like Amazon, CDNow, or CDUniverse. Sure, they always say you are geting a 10% discount, but that’s usually off the mall-markup price where CDs tend to go for seventeen-fifty bucks a pop. I pretty much refuse to pay more than $13.50 for music, and even that’s excessive.(a good rule of thumb: never pay more than a dollar a song)
Not following my own advice, during a dry spell at work, I decided to do some music shopping online. I figured the price of the markup would be equivalent to the cost of me getting to a record store here in the city. I found a couple of CD I wanted at CDUniverse and they were actually reasonably priced, sans-shipping that is.
The ordering process was simple enough. There was, however, a cryptic Hold for 3 Days dropdown bit that wasn’t explained very well. I chose first class shipping, which was supposed to arrive in 2 to 7 days. This, I soon found out, was not to be the case.
Having ordered on a Friday, I patiently waited over the weekend, expecting my CDs to arrive on the following Monday or Tuesday. Neither of the CDs was on backorder, yet they held my order for 3 days waiting for backordered items to arrive!?! I guess that explained the Wait 3 Days dropdown I had no choice but to select. It appeared my CDs were to be shipped, rather than receive my CDs on Monday.
The bit about the whole transaction that really ticked me off was the fact that it then took 2 full weeks for the CDs to arrive. The reply to my complaint was basically that their orders don’t take 2-7 days as advertised on their site, rather, I was to allow 7 to 14 business days. If I had known it would take half a month to complete my transaction, I would have just walked to the nearest mega-music store during my lunch break and just forgot about saving a couple of bucks.
The final blow in this ordeal was that when the CDs finally arrived, the jewel cases were smashed to hell due to poor packaging by CDUniverse’s shipping department. Sure, they’ll send new jewel cases if you request them, but wouldn’t be cheaper for them just to put an extra sheet of bubble wrap around the CDs? Or how about just shipping your stuff priority mail. $3.50 would cover half a dozen CDs, and it would only take 3 days to be shipped.
CDUniverse, you SUCK! I hope you and the rest of the lame-ass e-Commerce scam artists are destroyed in the great dot com crush! If you are looking for music, support to your closest independent record shop and give the finger to all eMusic vendors.
This is the CD reissue of Norton’s Link Wray series. The CD includes some 5 bonus tracks. If you don’t own any Link Wray I’d go out and buy some of the later volumes of this CD. These songs are at bit more hillbilly/rockabilly than one would expect from link Wray. However, if you like the Hill/Rockabilly thing this album is great. Link’s guitar isn’t always the focus but the songs still are great.
Wire is quickly becoming one of my favorite bands. Sure they’re arty and all, but I can’t get over the richness of their songs. I only have their albums from the late 70’s, this included. All 3 of these early album feature a different side of the band. 154 shows off the studio experimentation of producer Mike Thorne. The songs are richly textured and atmospheric and layered with noise. None of these songs (except Map Ref) will jump out as pop songs, but they are all intelligent and still pack too much of a whallop to be concidered pure experimental art rock.
This selection from the ever-growing Buffalo Bop re-release CDs feature only female rockers from the 50s. It’s much more interesting than some of the series other releases. The songs don’t all sound the same, there’s coutryish stuff mixed with rock ‘n’ roll and even some jumpy swing stuff. This CD is really good.