I think this is my least favorite Shellac album. Sure there are some great tracks on it, as there are on any Shellac album, but are also a few that just seem lazy in their delivery. I am not too keen on the experimental/talky moments on the first side either.
I am a fan of Westerns, especially the spaghetti kind, but I not very familiar with many of the classics of the genre. The Magnificent Seven can now be crossed off my to-watch list. The story about a group of would-be heroes hired to defend a helpless village has been done a zillion times from the obvious Seven Samurai to A Bugs Life. Because the plot has become a cliché, you watch these various interations for the characters, the action sequences or visuals. There are plenty of great actors in this version and a few hammy ones too.
A pretty straightforward detective mystery which, despite the cover of the book, has very little to do with baseball. Even though the body count steadily increases, the story never really gets more exciting than the PI investigating clues and interviewing increasingly dull characters.
When this came out it felt like a return to form for Shellac. It opens with the fantastic "Prayer to God" which, upon first listening, any schlup (like me) would immediately run to their guitar to try to figure out. It's a good excuse to use the F-word a whole bunch. The album loses a little steam on the second side but ends with "Watch Song." It's another barn burner complete with violent lyrics and the scuffling sounds of what I assume is supposed to be the fight alluded to in the lyrics.
This is a zero-budget Italian take on post-nuclear scifi. It is utterly derivative and filled with bad acting, plot holes and cheap effects. What it does have is tons of action, a smattering of gore and George Eastman as a caveman.
Just when I was about to lose hope regarding my Hammer Films: Icons of Horror DVD set, I got around to watching the last film on the collection. Scream of Fear is not really a horror film and would have been much more at home on the Icons of Suspense collection. This is an excellent thriller about a wheelchair bound girl who is haunted by visions of the corpse of her missing father. It's filmed in lovely black and white, has some good twists and contains the obligatory European-man-in-Speedo scene.
Another year has passed here at the Pages of Fun so it's time for my annual assessment of the year in media consumption. This was a pretty underwhelming year for movies. If it wasn't for The Hobbit, which squeaked in at the last minute, there would have been no stand-out films for me this past year. To be honest, I haven't really been keen on getting out to see movies for a while. I did love the Icons of Suspense DVD collection I bought even though I didn't rate the individual movies that highly. I need to seek out more obscure foreign horror films this year.
I loved the Lord of the Rings movies so I realize I have a huge bias towards liking this no matter what. So, yes, I loved this movie. I looks much better than LOTR and the acting is much improved too. The story is not as strong though. It feels padded with a little too much reliance on flashback, and, as usual, I would have liked to see less CGI creatures and more latex. Can't wait for part two.
Although, as someone who has played a ton of Minecraft, I did enjoy watching this documentary about its creator(s). But the flim really is lacking. When it was all done, I didn't feel like I learned anything new about Minecraft, indy-game development or Notch himself. There's a sequence where Minecraft is being used in a classroom, but there is no effort to show why the game is so unique in that environment. It's just a bunch of kids and teachers telling us how much the kids like to play Minecraft in class.
I can't believe I went through the 80's without ever seeing this movie or any of its sequels. Charles Bronson is great from the get go when we see him luxuriating on the beach in a Speedo, to scenes of him doing architecture stuff with big old man glasses, and then to the scenes of him blowing away dirtbags and street scum. I was never quite sure if the film is intended to be a darkly critical characterization of law and order conservatism or just a straight up revenge film where you are supposed to root for the anti-hero.