I take back what I took back last post. This Shonen Knife album is a bit of a bore. Again, they are trying to sound like the Ramones, and I guess I don't really like bands that sound like the Ramones. There is no space in the production and the drums just sound like an (off tempo) drum machine.
I take back a little about what I said in my Pretty Little Baka Guy post. This record definitely has an obvious Beatles vibe and it works very well. I can remember the slightly out-of-tune vocals really annoying some of my roommates back in college. I really like them.
This is one of my wife's CDs that made its way into my collection. Shonen Knife is one of those bands which you kinda laugh at when you first hear them and then they grow on you. They draw upon a lot of the same sources as The Pebbles—a band which I like much more—but they don't quite have that 60's girl group appeal. They are more a product of the Ramones rather than The Beatles.
This is the story of an American GI who returns to Sicily years after the war to find the girl he loved only to find himself held captive by the Mafiosi who run the town. The story is pretty good but it faulters in the third act without ever really paying off.
Costume Quest feels like an off-hand idea thrown out there at a pitch meeting. I'm sure the designers had just taken their kids out trick-or-treating for the first time and thought to themselves, "Geesh, wouldn't it be cool if there was a game where you were trick-or-treating and your costumes gave you superpowers!" Well, it might have been cool except for the fact that knocking on doors only to have repetitive battles is not fun at all.
Oblivion is a huge, open-world RPG made by the same folks who made Fallout 3. In fact, it plays very much like Fallout 3 in terms of quest structure and interaction with the world.
After years of searching through record bins and online auction sites I have finally purchased a copy of The Golding Institute's Sounds of the International Airport Restrooms! This was Planet Pimp's final release and it has become the rarest title from that catalog. I am not sure why this one became so hard to find but I think when Sven-Erik decided to close shop he ending up destroying a lot of his stuff (just a guess).
A mediocre giallo that felt a lot like early 60s Bava without the style. Although the twist, which should have been plainly obvious, fooled me.
Outside of Bava's Rabid Dogs I have not seen many Italian Eurocrime movies. This one was pretty good. It had a groovy wah-wah laden soundtrack, lots of violence and a by-the-numbers revenge plot. I especially liked the 70s style car chaces complete with fruit stands getting obliterated and scaffolding being driven through.