I managed to watch a couple more Halloween themed films this weekend. This included another Fulci film, A Lizard in a Woman’s Skin, whichI rank as his best along side The Beyond. Unlike most of his other work, this one is tightly plotted and suspenseful. It features a bunch of deranged hippies, surreal dream sequences, a fantastic Morricone score and a compelling performance by David Horowitz of TV’s Fight Back:
I got the entire family to watch the “Drop of Water” segment from Black Sabbath. This is Mario Bava at his best with loads of colored lights, sets that look like renaissance paintings and a super creepy corpse. I like the rest of the film too, but the slow pacing probably wouldn’t have kept the attention of the crowd that evening.
My Halloween movie fun-run continues with Mario Bava’s Kill Baby, Kill. Not really his finest work, but it is memorable for the scenes of the ghostly child at the windows.
This is a very creepy still, but, in the context of the movie, it doesn’t come off as eerie as it could. I’m probably the 9000th person to post this screenshot on the Web, but any Kill Baby, Killpost must include it.
The film is filled with more great compositions such as this one in which a young girl is compelled to impale herself with a sconce.
Italians sure do love their spiral staircases. As a note to budding architects who work in cities with high counts of maniacs and vindictive ghosts: a simple straight flight of stairs is probably a bit better in emergency situations. Oh, and avoid the metaphysical endless room loops.