L’Ultimo Uomo Di Sara
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The opening title track is a dull, schmaltzy pop song, but once you’re past that it ramps up into a tense, Morricone thriller vibe. Lot’s of swooshy electronic noises that sound like someone’s racing slot cars in the studio.
The opening title track is a dull, schmaltzy pop song, but once you’re past that it ramps up into a tense, Morricone thriller vibe. Lot’s of swooshy electronic noises that sound like someone’s racing slot cars in the studio.