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Author: Robert Gomez

Borat (7/10)

Posted on Jul. 1, 2007 - 9:29 amSep. 19, 2020 - 9:29 am

Does not live up to the hype, but has its moments.

Black Sabbath (8/10)

Posted on Jul. 1, 2007 - 9:28 amSep. 19, 2020 - 9:29 am

Collection of 3 horror tales. They vary in quality but the last is superb.

Danger: Diabolik (8/10)

Posted on Jul. 1, 2007 - 9:28 amSep. 19, 2020 - 9:28 am

Visually stunning comic book adaptation. The plot and character development are a bit lacking though.

Two Mules for Sister Sara (7/10)

Posted on Jul. 1, 2007 - 9:27 amSep. 19, 2020 - 9:28 am

The plot is a bit disjointed at times and Shirley McClane is not terribly good , but Clint Eastwood and Morricone hold together this buddy movie western.

I Drink Your Blood (3/10)

Posted on Jun. 30, 2007 - 9:25 amSep. 19, 2020 - 9:25 am

Low budget grindhouse production about killer, satanic hippies. Pretty boring. Only the last, zombie-flick inspired 10 minutes are kinda fun.

The Church (6/10)

Posted on Jun. 30, 2007 - 9:24 amSep. 19, 2020 - 9:25 am

Disappointing resolution and shallow characters, but enough interesting imagery and weirdness to moderately recommend.

Buio Omega (Beyond the Darkness) (5/10)

Posted on Jun. 30, 2007 - 9:24 amSep. 19, 2020 - 9:24 am

Cheesy Italian horror film about a taxidermist who is infatuated with his dead girlfriend. It’s a character study without any character development. Some gratuitous gore and 80s cheese keep this from being a total dud.

The Wicker Man (7/10)

Posted on Jun. 30, 2007 - 9:23 amSep. 19, 2020 - 9:24 am

Classic tale of pagan villagers. I was spoiled because I already knew the twist ending, but was enjoyable nonetheless. Almost a musical at times.

Clerks II (8/10)

Posted on Jun. 30, 2007 - 9:23 amSep. 19, 2020 - 9:23 am

Funny and a nice sequel. Hindered by Kevin Smith’s lack of comic timing as a director (and actor). But the dialog and script work in spite of his suckiness.

Art School Confidential (7/10)

Posted on Jun. 30, 2007 - 9:22 amSep. 19, 2020 - 9:23 am

Falls apart when it attempts to become high-minded satire near the end, but the characterizations of art school stereotypes are funny.

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