Dario Argento’s Trauma
It has its moments, but Trauma suffers from horrible dialogue (even for Argento), a wholly inappropriate score and many bad editing choices that simply kill any suspense. I blame Minnesota.
It has its moments, but Trauma suffers from horrible dialogue (even for Argento), a wholly inappropriate score and many bad editing choices that simply kill any suspense. I blame Minnesota.
An entertaining rethink of Lisa and the Devil.
In many ways, much tighter than Rabid Dogs, but the ending ruins the film.
Fulci haunted house movie. Pretty slow until the finale.
Starts out interesting but loses focus in the second, exorcist wannbe, half.
Shallow and stupid, but I guess that’s the point. Nonetheless, always entertaining. Tarantino’s section is mediocre but the fake previews are great.
Visually stunning French film. If you don’t like musicals, just turn down the sound and read the subtitles… you won’t know you’re watching one.
An ingaging film about corruption, power and the law. There are threads of dark comedy mixed in with the tense drama and a bouncy score by Ennio Morricone to boot.
Mildly entertaining, but caters too much to the Shrek crowd.
You’d be hard pressed to find a movie that hated its female characters any more than this one does. This is some sleazy film making with some effective murder scenes and a nice soundtrack.