L’Ultimo Uomo Di Sara
The opening title track is a dull, schmaltzy pop song, but once you’re past that it ramps up into a tense, Morricone thriller vibe. Lot’s of swooshy electronic noises that sound like someone’s racing slot cars in the studio.
The opening title track is a dull, schmaltzy pop song, but once you’re past that it ramps up into a tense, Morricone thriller vibe. Lot’s of swooshy electronic noises that sound like someone’s racing slot cars in the studio.