Giallo (8/10)

Giallo isn’t quite the return to form I wanted from Dario Argento, but it’s a much better movie than the majority of his post-Opera films (I still think The Stendhal Syndrome and the Masters of Horror episode Jenifer are much better). Gone is the visual style that really was what made Argento’s best movies so great. Instead, we have a good Italian-style thriller with the usual graphic violence, bad acting and plot holes. Generally, this is enough for me, but I always want more from Argento.

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