An excellent catalog of graphic artworks by this famous student of Dürer. A good chunk of this deals with how Baldung’s work relates to that of his former master. As such, many of Dürer’s and other possible source works are also included for comparison. All art history books should do this. Eventually, Baldung emerges from Dürer’s shadow and his prints are some of the most weirdly fantastic (in both senses of the word) prints to emerge from the Northern Renaissance.
All of Baldung’s images are presented in large and clear reproductions, many of which are printed at actual size. Unfortunately, any of his chiaroscuro prints and drawings don’t quite survive the transition to black and white. Those images end up being murky and difficult to read. A few color plates would have been nice.
As an added bonus, the writing is actually quite interesting with overviews of historical context, related source imagery, and thematic discussion. Not quite your typical drab art history narrative.