This is crime thriller from 1955 that is unique in that it was shot on location in post-war Japan and it is filmed in glorious, super-widescreen Cinemascope. Every frame is full of color and wonderfully composed. Every frame is also filled with ugly American style treatment of the locals. Lots of gangsters raising their voices and demanding, "Hey pal, ya speak English!" This is also the movie where Robert Stack does his, "Who the boss? The head man? ..." bit that was parodied in Airplane. Overall this was mediocre yet entertaining plot that's bolstered by stunning visuals.
In recent years there have been several attempts at making fake 80s shows, games or movies. The best of this would be something like Stranger Things and the worst is Kung Fury. Turbo Kid is somewhere in the middle. It isn't fully fueled on nostalgia and has likable characters. But there is a tinge of that weird interpretation of 80s culture that millennials often produce. The ever present neon landscape title grid is there.
Ubisoft only knows how to make these open world games with paper-thin story lines and lots of side challenges that don't amount to much. I had already played the sequel (which I got for free) before I had played Watch Dogs (which I also got for free). Apparently, if you wait long enough, all Ubisoft games will eventually be free. I knew what to expect going into this: lots of "hacking" which consists of vaguely Pipe Dreams style puzzles or, more often, just holding down the "Q" key. My main reason for not passing on this was the prospect of exploring a virtual Chicago. Turns out in Montreal they think Chicago is surrounded by rolling hills and filled with exploding steam pipes.
This the second book in The Expanse series. It felt like a bit of a retread but with less interesting characters. The T.V. show is better.
I remember watching my housemate play this game quite a bit back when we were in college. I don't think he had the CD-ROM version—which included voice acting from the original cast. Luckily this GOG.com version has all the recorded elements (and none of the weird DOS set up problems). Yup, there's nothing like hearing an aged, breathy-voiced DeForest Kelley read mediocre video game dialogue!
I was hoping for another Luc Besson film at least on par with The Fifth Element, but this was terrible. It has some of the worst casting I have ever seen. The lead has an annoying surfer dude voice and his co-star is only capable of vacant stares. Terrible dialogue, wooden acting and standard clown-vomit video game style action sequences. Pretty colors though.
The only reason to watch this movie is to get a feel for how the sound design was created in Italian giallo movies. Unfortunately, this drifts too far into art film territory. More to confusing than entertaining. Half the dialogue is in Italian and is deliberately not subtitled in order to hammer us over the head with the disorientation that the main character is feeling. It just never went anywhere.
I've been playing this off and on for the past few months. This is supposedly designed as a multiplayer experience and have been playing it as such. The campaign is not at all interesting narratively. It has something to do with a bad guy with a space hare lip controlling an orb thing that grants powers to the good guys. I lost interest in the first cut-scene.
Definitely better than the first Tomb Raider films. This reboot seems to be using the game's reboot as inspiration. The plot is pretty bland, but enjoyed the performance of the lead actor and it avoided the horrible CGI action until the last third of the movie.
A cartoon drama from Studio Ghibli about a teenage girl who misses her dead father and raises signal flags for him every morning. She gets involved with a boy who wants to save the school's club building from demolition. No moving castles here, just melodrama and possibly incest. As always, it's a stunningly beautiful animated movie, so I can't really hate on it.