Eccentric Orbits is the history of the rise, fall, and eventual rebirth of the world's first (and only) global satellite phone system. This is not the sort of book I would ever expect to like. Corporate history is not really my thing. However, this is more the story an astounding technological achievement that was almost destroyed but not for the small group of individuals who believed in it and were willing to risk millions for it.
As far as easy-listening Morricone goes, this is one of his best. There are hints of bossa nova, echo-y instruments and, of course, Edda Dell'Orso. "La Bambola," of which there are three versions represented here, is one of Ennio's finest pieces.
For a brief period, this CD was my holy grail of Morricone soundtracks. I took to eBay in search of it only to find sellers who listed the CD but didn't have it in stock (my only negative feedback came from one of these failed purchases). Eventually I found an honest seller and to this day the album remains one of my favorites from the Maestro. It's far more symphonic than his horror or western scores, so it doesn't have that immediate hipster/cool factor to it.
This one casts itself off as a female version of Death Wish complete with two uncomfortable assaults of the lead actress in the first ten minutes. But rather than being a standard tale of revenge, it becomes a decent into madness as Thana grows more and more unhinged in her killing spree. The visuals, especially the insane climax, are really quite astounding. There is not much of a story here, but I was glued to it all the way to the bizarre, slow-motion ending.
I finally bought this CD after being nagged by my Discogs.com wishlist alert for months. I shouldn't have waited because this disc, like all of the Morricone releases by Dagored, is worth having. The opening track and much of the record features a pounding piano rhythm that is not dissimilar from many 70's Italian police drama scores. Then there are creepy dissonant noise tracks and even an easy-listening gem, "Sospiri Da Una Radio Lontana."
Don't be dissuaded by the fact that all the tracks lest one are titled, "I Bambini Ci Chiedono Perche." This isn't one of those Morricone scores that is just slight variations of the same song over and over (I'm looking at you Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto!). Although the main melody, often sung by Edda Dell'Orso, is the focus throughout. It ranges from mysterious to bittersweet to spine-chillingly epic.
Well, it took me about half a decade, but I finally finished Super Mario Galaxy 2. I really liked the first one and this is a lot more of the same. There's a bit of "been there, done that," in my opinion of the game. A few new additions have been added, like being able to ride on Yoshi and use his tongue like a grappling hook. But, for the most part, this is pure 3-D platforming at about the best it will ever get. Which is to say, yeah it's pretty good for a not-so-deep game.
Now that the sequel is in theaters, I thought I should see the original since since a lot of people who opinions I respect loved it. Maybe I had inflated expectations, but I wasn't impressed. What it has going for it is a nice character build up in the first twenty minutes and an original fantasy-ish world that is gradually built up. Everyone seemed to rave about the action, but I found it to be sterile and dull. Its action sequences are a never ending flow of perfect head-shots and zero danger for John Wick.
A short book about a lesser known hero of the American revolution. As the captain of a Connecticut privateer vessel, Smedley captured a dozen or so prizes, ran aground, was captured twice and escaped from a British prison. It's all pretty exciting stuff, but there aren't too many first-hand accounts of the action so the book is a little sterile in its telling of the facts. I had to remind myself that this is straight up history and not an Aubry-Maturin novel. Even so, enjoyed the book for what it was.
Although this disc is part of the Crime box set, the music here is very much in the vein of Morricone's giallo scores. There is a lots of dissonance and free form improvisation. The title track features Edda Dell'Orso and it serves to reel in the experimentation as it's reprised over the course of the CD.