Outlast is one of the most nerve-racking games I have played. The game delights in distracting your attention then blasting you with a heart-stopping jump scare. The first couple of hours, when you don't really know what to expect, are the worst. This is a stealth game in which you have no weapons, no means of defending yourself. Your only tool is a video camera with an infrared mode to help you see in the darkness. Other than that, the available options to avoid being killed are either to hide or to run. As the game progressed, I realized that running was far more useful than cowering under a bed or in a locker.
Video Game Reviews
Here's where I keep track of video games I have played. I rate the games on a scale of 1 to 10 with 10 being "highly recommended" and 1 being "forget this game and go read a book or something."
I was initially drawn to the isometric art style of this turn-based RPG. My hope was that it would play like Wasteland 2 but I wasn't sure what to expect. The combat is similar, but it has nowhere near the depth and strategy. I some ways that's good. Shadowrun Returns feels much more casual and less nitpicky with things like ammo and inventory management. But, even though it's party-based, you only really control the development of your one character. The other combatants are just expendable hired hands with little to no backstory.
At first you'd think Home was a retro-looking point and click adventure, but that would be giving it too much credit. It's really one of those trendy, arty indy games that supposed to be a deep meditation on interactive storytelling. In other words it's a bore.
I went into Bulletstorm not knowing anything other than I heard there was a lot of cursing in the dialogue. Well, that much was true. This is a first person shooter based around the mechanic of building elaborate kills in order to score points. The points can then be used to buy ammo and upgrade weapons. Higher scores can be had by utilizing your grappling tether or your powerful kick to throw enemies into the various sharp objects that litter the landscape.
Wadjet Eye continues their run of solid point and click adventures with their latest, Shardlight. This may be their best looking and best sounding game yet. You play as Amy Wellard, a member of a lower caste in a city recovering from a nuclear-scale bombing. On top of the misery of scavenging for food and dealing with the iron rule of "The Aristocracy," you also have caught a case of the green lung for which vaccinations are in short supply. The plot is pretty linear and avoids that open, branching middle that adventure game devs of yore seemed to love. Really, we are just here for the story anyways and, at times, even puzzles get in the way of that.
Wadjet has produced another solid point and click adventure game that makes up for its somewhat lackluster predecessor, A Golden Wake. This one is a sci-fi, cyberpunk thriller in which there is a killer on the loose "mindjacking" his victims' memories.
I never quite understood the appeal of cyberpunk. My experience in the genre is limited mostly to The Matrix movies and a fruitless attempt to play Neuromancer on the Apple IIgs.
Back in 2007 I played a free, ad-supported version of Prince of Persia: Sands of Time which I enjoyed quite a bit. Although I missed seeing commercials for McDonald's between every level, this is more or less the same game.
Opposing Force is a welcome improvement over Blue Shift. First off, it's feels like a full game rather than just a bunch of new levels. It's nowhere near as developed as a modern shooter, but there's a little bit of a story to follow. Half Life was much lauded for its story, but, in hindsight, there really wasn't much there. Opposing Force doesn't even have that minimal level of depth, but there's enough there to push you towards your goal which, as always, is to get the hell out of Black Mesa.
I am finally getting around to playing the Half-Life 1 expansion games. As expected, this is more of the same. This time around playing as a security officer who is caught up in the Black Mesa incident. Once again, you are trying to get back to the surface. There aren't any new game play mechanics (that I can see), and aside from a couple of references to Freeman, the story here doesn't really tie into the main narrative.
This is what the kids call a metroidvania-style platformer (what a horrible term). You run around around a large, open-world and gain access to new areas as you upgrade to new powers. I tried to play Super Metroid on the Wii, but I don't think I had the patience for that older game. Guacamelee! on the other hand was very accessible. The movement is fast and fluid with easy fighting mechanics.