Another fine collection of Trashmen recordings. Not much to add here except that these were all previously unreleased and there's only one bird themed song included.
The Trashmen were a standout band from the surf era known mostly for their hit, "Surfin' Bird." That single captures much of the appeal of the band. They are at their best when they are going crazy and having goofy fun. They will often fall back into covering rock standards like "It's So Easy" and the result is never as good when they're doing their own crazy thing. Fortunately, they maintain a high level of stupidity through most of this disc. Oh, and the liner notes are fantastic.
Well, like everyone else who saw this movie, I think the first quarter is very good, mostly because Brian Cranston's character is actually interesting. The rest of the film is by-the-numbers summer faire. The characters are merely signposts to get us from one plot point/set piece to the next. The monster battles are very well done so I guess characters and solid plotting don't really matter. Just sit back and watch the cool battles and be nauseated by the 3-D crap.
This CD compiles four of the band's early 7" singles. This was when the Toy Dolls were at their punkiest. So, despite its short length, Singles 83/84 is good collection of tunes that fills a few gaps missing from the early LPs.
Another new record label and another quick cash in on the band's older songs. This time it's a live set from the Wakey Wakey tour. While there's nothing wrong with this, an actual greatest hits record would be a better purchase.
I got this back when it came out and it was about the only way to get Toy Dolls on CD here in the States (I only had the first LP on vinyl at the time). I absolutely loved it at the time. Now, more than 20 years later, I still like the compilation but I can hear its flaws.
What's with the "Z" in Toy Dollz? That was the first sign that this might be a questionable release. In fact I think this was their weakest record. The sound is tinny and the songs just didn't hook me. There are parts that are okay such as the chorus from "I Loathe You" or the Andrew LLoyd Webber cover, but nothing really jumps out as being great. After this came out I stopped buying Toy Dolls records. They have had a few good songs since then, but that's what Spotify is for.
After a string of just okay records, The Toy Dolls finally released an LP that almost stands up to their first recordings. I guess I like the raw, punk aesthetics of the first three records, but I have to admit that, despite the heavy metal-esque shredding solos, this record sounds great. The song highlights on this one are "My Wife's a Psychopath," "Toccata in Dm," "Sod the Neighbours" and "Alec's Gone."
This CD includes the embarrassing bonus track "Turtle Crazy!" which is a song about the Teenage Mutant Ninja Turtles. Aside from that misguided career low-point the rest of the songs are passable. The only real standout here is the nostalgic anthem, "Back in '79."
Well from here on out these records are business as usual. The highlights on this CD are "There's a Trollop up Elmwood Street," "Cloughy Is a Bootboy" and, despite its cheesiness, "Sabre Dance."
In the above scene from Memento Mori you are supposed to trick a little, abused girl into thinking she's your friend. The only thing that's missing is the white panel van and sick puppy dog. Fortunately, the rest of the game isn't quite this creepy.
Amazon recently gave this ebook away for free as a promotion for the sequel Inferno. It was my beach read for spring break this year. It's an okay mystery thriller, but the writing is not terribly good (not that I'm one to judge such things). Actually, it's really not much of a thriller or a mystery for that matter. It's more of a straight forward treasure hunt. One treasure leads you to the next until you get to that final goal. I have no idea why this book was so successful. Maybe the underground Christianity themes impressed people? Not bad, but whatever.
From here on out, Toys Dolls records and songs start to follow a pretty standard formula. While every release is guaranteed to have a couple of good songs, there are more and more clunkers in the mix. Bare Faced Cheek may feature one of the worst album covers ever, but it also features one of the Toy Dolls best songs, "Fisticuffs in Frederick Street." As for the rest of the album, "Ashbrooke Launderette" is good but tracks like "Howza Bouta Kiss Babe??!" are just too intentionally silly... well, at least more so than your usual Toy Dolls tune anyway.
When I started this book I was apprehensive. As much as I love Gavin's current incarnation as a wild libertarian/conservative provocateur, I knew this wasn't going to be a collection of political essays. Rather, it's a memoir documenting his sex, drugs and rock 'n' roll filled early years, and, given his propensity to shock and offend, I wasn't looking forward to reading about weird sex, self-inflicted STDs and the titular pissing in public.
This is the last truly great Toy Dolls record. It could have been their best release, but it suffers from some odd production choices, mainly the drums sound like they were recorded in a drain tunnel. Later records have a definite formula to them (and a more hottt metal lyxxx guitar style). The band was still finding its sound here and the result is still within the realm of genuine punk rock. The title track, "Lambrusco Kid," "Harry Cross," and "Pete's Practice Space" are all winners (better recordings of all these are on the Ten Years of Toys compilation).
Toy Dolls second album has a little more polish than the first and even includes a radio spot for that first LP! While every Toy Dolls album is guaranteed to have at least one classic song, this once again chock full of 'em: "She Goes to Finos," "Carol Dodds Is Pregnant," "Bless You My Son," "We're Mad" and "Florence Is Deaf."
Toy Dolls skirt the edge of punk rock and novelty music. As such there will be some people who will find them very annoying, but I love them. Who could hate such happy, fun music? Dig that Groove Baby is probably my favorite release by the band. This was before they completely locked in on their formula. The songs are varied and have a rawness that is missing from most of their later records. "Dig that Groove baby," "Dougy Giro," "Glenda and the Test Tube Baby," and "Nellie the Elephant" are each classics, and that's just the first side of the LP!
There was a time in the early 2000's when I thought I might be able to expand my electronica tastes beyond Richard H. Kirk. This was one of the CDs I got during that period. It's alright. I appreciate the spacey noisiness of many of the tracks, but I was never excited enough to listen to anything more than this one release.