I can't believe this is not a SciFi Channel movie. It's okay, I guess, but the film tries too hard to be a Paul Verhoeven satire and mostly falls flat. Too much stupid 00's shaky cam crap in lieu of actual action.
This is an illustration that I created a while ago for a company that was developing medical technology. The illustration is one of a series of maybe 3 or 4 that I made as concepts for a possible trade show booth. This one was going to use a virtual reality "cave" to allow a user to view microbes in 3-D. In the process of creating this proposal we got to try out the VR Cave at the University of Illinois, Chicago. Unfortunately, the client never ended up using any of our concepts.
The original illustration actually featured two users:
This is an illustration that I created a while ago for a company that was developing medical technology. The illustration is one of a series of maybe 3 or 4 that I made as concepts for a possible trade show booth. This one was going to use a virtual reality "cave" to simulate battling microbes. In the process of creating this proposal we got to try out the VR Cave at the University of Illinois, Chicago. Unfortunately, the client never ended up using any of our concepts.
I have never been in much for political protesting, rallies and the like. About the closest I have ever come to partaking in a political march was two-mile "fun run" in Wildlife Prairie Park back when I was 13 or so. These days, however, I find myself sympathizing quite a bit with the Tea Party movement. Although it is mostly a conservative and libertarian movement, the basic theme of limited goverment and fiscal responsibility is a constant, and they seem to be committed to calling out big government politicians on both sides of the aisle.
It pains me when I hear my more liberal friends and family members go off on the movement. This ranges from the lefty catch-all of calling anyone who disagrees with them a fascist, to pointing out the one less-than-moron in the crowd of thousands who decided to draw a Hitler mustache on a xerox of the president, to spewing the ever-so-clever insult, "Teabaggers!"
This is another solid release in Digitmovies series of giallo soundtracks. The record is comprised, for the most part, of Morricone's experimental soundscapes—many of which are laid over a bass groove or drumbeat. Very cool. I especially like Edda D'Orso's moaning and whimpering vocals. This disc will have you on edge. The noise is bookended by the starkly contrasting and wonderfully mellow title track.
A pair of arty, ambient soundscapes featuring a nice blend of electronics and natural instrumentation.
Finally a sci-fi movie that isn't all about special effects (although there are plenty subtle effects to be seen here). The premise of the movie reveals itself as a plot twist early on in the movie. Without spoiling anything, it is the sort of "what if" sci-fi premise that geeks love. On top of this, add some great characters and very good acting and you have a wonderfully compelling film.
This is a compilation CD of some of Monty Python's most memorable skits. Many of the tracks are live performances, there are clips from The Holy Grail and several studio recordings. Good for a laugh even when you know every skit by heart.
They may have been a fake band and all, but they had Neil Diamond writing songs for them and that's enough to make The Monkees awesome. "Randy Scouse Git" is your new favorite Monkees song you've never heard.
Ever since the release of the movie Drum Line, percussion ensemble music has been all the rage. 50% of Marassa Duo is Papador. Need I say more? YEEAAAAAH!
The band's second Touch 'n' Go release is one of their best. For the most part, they have abandoned their surf rock roots for a decidedly more indy-rock meets new wave feel. The emphasis here is not so much on twang as it is on getting their guitars to make otherworldly sounds.
Yet another cool Italian movie soundtrack from Cinevox! The title track features Demis Roussos of Aphrodite's Child(!) on vocals. His warbley stylings don't quite fit here. Fortunately the rest of the album picks up after the cheesy opener. The instrumentation features the actual sounds of trains, a train-like drum machine beat and harmonicas mimicing the sound of train whistles. What's not to like about that?
Another hit-or-miss hodgepodge of redos and covers. Production quality is better than most of the band's previous releases.